In such a place of unspeakably rich history, the Beirut Museum of Art must be at once an artistic/cultural territory and a social space. It is not an isolated island but rather one link in an archipelago that runs through the heart of the city, in particular along the Damascus Road and its crossings of various demarcation lines, marked by important cultural institutions, the National Museum, MIM Mineral Museum, Beit Beirut and further down the port and the Beirut City Museum.
All cities usually form around water. And the settling of a territory is marked by the act of breaking ground. Since the city of Beirut and the museum site contains groundwater, through the first act of digging, we will surely discover this primordial element, that ultimately gives rise to and nourishes the entire project. A Well (Al-Bir, the etymological origin of the name Beirut), will anchor the Museum's foundations to the plot.

With water we start by creating a lush haven around the well. This Garden, composed of a succession of varied landscapes, expands over several levels and embeds itself in the continuity of the green line created by the surrounding neighborhood and university campus.

The Museum will be marked by an urban and territorial sign that contrasts with the subterranean well and garden, a sign that is highly visible and vertical: the Campanile. As both art and architecture, the Campanile is the strong gesture by the site, its fulcrum and call to the outside. It is a cardinal point and topological center of culture and identity for a country that inspires varied convergences. The verticality of the Campanile makes it an immediate landmark in the heart of the city. As a highly visible urban indicator, it is an orienting lodestar for the lost wanderer. It is in some ways the ‘other’ lighthouse of Beirut, a terrestrial beacon, a nod and compliment to its coastal counterpart.
Photo Credits to HW Architecture